International Women’s Day 2016 has arrived. We celebrate this year by highlighting just a few of the talented women we’ve been fortunate enough to publish. There will always be more names to mention and more works to appreciate, and you can find countless gorgeous books written by women on our website. But none-the-less, we hope you enjoy hearing about just a few of the Seren women writers and their achievements.
In this blog post, the first of two, we focus on the Seren female poets. Poetry Editor Amy Wack has been with us at Seren for over twenty years, publishing countless collections by women. The gender balance of most UK publishers favours men but in our case, with Amy at the helm, the balance is far more even.
Amy: Seren has a very good record for promoting, and bringing forth women writers and we owe this both to the Seren Board, and the forward-looking people at the Welsh Books Council, as well as the skill of my co-commissioner: Fiction Editor at Seren, Penny Thomas.
Women’s Work, edited by Eva Salzman and Amy Wack
March 2016, £14.99
Featuring over 100 poets, Women’s Work: Women Poets Writing in English, has been re-printed. The 2016 edition features a revised introduction and updated author biographies.
Women’s Work contains classic poems by famous poets as well as lesser-known works. Editor Eva Salzman has provided an opening essay that artfully picks apart the statistics involving women’s work in anthologies and points out, with her characteristically vigorous wit, just who gets to choose the canon, and why. Along with co-Editor Amy Wack (Seren poetry editor), they’ve both ranged broadly over the English-speaking world, and aimed to represent women of colour as well as those from the more esoteric wings of the style spectrum.
Poets published by Seren included in Women’s Work:
Collections published in the last few years include Kim Moore’s critically acclaimed debut The Art of Falling, Tamar Yoseloff’s A Formula for Night: New and Selected Poems, Rosie Shepperd’s The Man at the Corner Table, and Katherine Stansfield’s debut, Playing House.
Hot off the press, we have Crowd Sensations by Judy Brown, which is a Poetry Book Society Recommendation, and Lynne Hjelmgaard’s A Boat Called Annalise, which recalls a journey the author took with her late husband on a sailboat, to the Caribbean and back.
You can look forward to many more collections by female poets, and on the horizon we have Mslexia Poetry Pamphlet Competition winner The Dogs that Chase Bicycle Wheels by Ilse Pedler (available to pre-order), Katrina Naomi’s hard-hitting The Way the Crocodile Taught Me (April), and Animal People by Carol Rumens (April).