Cath Drake’s debut poetry collection The Shaking City is due to be published on the 14th April. In today’s guest post, she reflects on its unexpected comfort given the situation we find ourselves in.
Inside the shaking city
“… a guide to staying clear-eyed, combative and caring in unsettled times.”
– Philip Gross
My debut poetry collection The Shaking City is due for publication in a fortnight’s time. I could never have dreamed how this endorsement from Philip Gross on the cover, and indeed the book itself, would suddenly take on such relevance in the time of Coronavirus.
While I was finishing writing it, the environmental crisis became increasingly urgent. And just as it is being printed, the global pandemic has also descended on our lives. Now everything is interpreted by the utter transformation and precarity of life in lockdown.
We are all in the ‘shaking city’ together. We all were before but now it’s more obvious. We’ve had to radically change in the face of the pandemic. We still need to radically change in order to address the environmental crisis, and indeed to survive as a species.
My book explores endurance to change, personal and global – the ‘shaking’ is an energy that holds both the extremes of discomfort and opportunity.
Each poem in the ‘Shaky School Album’ sequence contain ‘shaking’ at a point of change – a release, a realisation, a time when you face the unknown and come out the other side. It can be unnerving and exhilarating.
Some poems explore shaking in the unearthing of trauma, personal and societal. It can take courage and forbearance to face this kind of shaking, essential for positive change, and not to become enveloped by it.
The stories and characters in the book find solace in ways that are helpful or less helpful, often in unusual places or unexpected ways. Both are worth voicing, in the very least to be able to have compassion for all the ways we find comfort.
There are poems about misfits who turn out to be more in touch with their own sense of ‘shaking’ or aliveness in the cracks and corners of society than those following the norm. I wanted to explore mundane and imaginative worlds in order to get closer to what no longer makes sense to me – how our way of life increasingly undervalues community and the natural world.
‘This joyful, exuberant, wildly imaginative collection exhorts us all to unmoor our minds, to ‘live’ among the strange and shining.’
– Kate Potts
There is joy in seeing the world anew, in seeing each incredible infinite detail. I believe an environmental lens is vital to wellbeing and survival. I’ve been flying that flag since I was a teenager and when working as an environmental writer, journalist and broadcaster for many years in Australia. It has been very dispiriting seeing this care slip so easily down our list of priorities in my lifetime (although these last couple of years it’s moved back up the agenda, at least before the pandemic.)
The absurdity of not putting our natural world first has always distressed and astonished me and in the book I turn to an Australian folkloric Bunyip to help express this for me.
Another theme in the collection is the difficulty of being so far from home living over the other side of the world. Right now, in lockdown, we feel physically distanced wherever we are. Most of us feel this yearning on a daily basis. I hope it is at least partly, yearning with gratitude – the moments I’ve been able to spend with friends from home are deeply precious memories.
Our city is shaking. Even if it takes all our ability, even if we are particularly vulnerable, can we stay alive to it and come out the other side making better sense of our fragile world? I hope my book can help in some small way to find new ways of seeing in this difficult time.
The shaking city of Australian poet Cath Drake’s debut poetry collection is a metaphor for the swiftly changing precarity of modern life within the looming climate and ecological emergency, and the unease of the narrator who is far from home. Tall tales combine with a conversational style, playful humour and a lyrical assurance. The poet works a wide set of diverse spells upon the reader through her adept use of tone, technique, plot and form. She is a welcome new voice for contemporary poetry.
The Shaking City is available to pre-order on the Seren website: £9.99
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Katherine Stansfield grew up in Cornwall and now lives in Cardiff. Her poems have appeared in The North, Magma, Poetry Wales, The Interpreter’s House, And Other Poems, Butcher’s Dog, and as ‘Poem of the Week’ in The Guardian. Katherine’s debut collection 
Cath Drake lives in London and has been published in anthologies and literary magazines in the UK, Australia and US. 
Sarah Wimbush comes from Doncaster and currently lives in Leeds. After winning the Yorkshire Post Short Story Competition in 2011 she began writing poetry. Her poems are rooted in Yorkshire with tales of childhood, colliery villages, and Gypsies and Travellers, and they have appeared in a variety of magazines including; the North, The Rialto, The Interpreter’s House, Stand and Strix. She won first prize in the Red Shed Poetry Competition 2016, and second prize in the Ledbury Poetry Competition 2019 where the judge, Daljit Nagra, described her poem as ‘linguistically charged’. A winner of both the Mslexia Poetry Competition (2016) and the Mslexia Poetry Pamphlet Competition (2019), she received a New Writing North – New Poets Award in 2019. Her debut pamphlet 
Sarah Philpott is a freelance copywriter and proofreader for a variety of organisations, and a fluent Welsh speaker who has appeared on S4C and ITV Wales to talk about vegan cooking. She is a regular guest on Radio Cymru, has written for Wales Online and writes restaurant reviews for the Wriggle app and website. She has a recipe column in Cardiff Now magazine and was featured in an article about vegetarianism in the Sunday Telegraph magazine, Stella. Sarah also has a vegan food blog, 
Kate Noakes is a poet whose seventh and most recent collection, The Filthy Quiet, was published by Parthian in 2019 and was reviewed by the Poetry Book Society. Her work has been widely published in magazines in the UK, Europe and beyond. She was elected to the Welsh Academy in 2011. She lives in London where she acts as a trustee for writer development organisation Spread the Word. She reviews poetry for Poetry London, Poetry Wales, The North and cultural website London Grip. She can be found reading from her work all over the country, notably most recently at the 2019 Aldeburgh Poetry Festival. Kate has degrees from Reading University and the University of South Wales. She teaches creative writing workshops in London and beyond and offers one to one poetry coaching. Real Hay-on-Wye (May 2020) is her first non-fiction title.
Katrina Naomi has published four pamphlets of poetry, including the Japan-themed Typhoon Etiquette (Verve Poetry Press, 2019). Her collection 
Rhian Edwards is a multi-award winning Welsh poet, renowned for bridging the gap between page and stage poetry. Her first collection 
Sue Gee is a novelist and short story writer. She has published eleven novels, including The Hours of the Night (1995), winner of the Romantic Novel of the Year award, The Mysteries of Glass (2005), long-listed that year for the Orange Prize, and Reading in Bed (2007) a Daily Mail Book Club selection. Her most recent novel is Trio (2016). She ran the MA in Creative Writing at Middlesex University from 2000-2008 and was awarded a Royal Literary Fund Fellowship at the University of London Graduate School in 2008. Since 2010 she has taught at the Faber Academy, and worked as a mentor for the Write to Life group at Freedom from Torture. With the novelist Charles Palliser she has for some twenty years run monthly author events at Stoke Newington Bookshop, under the umbrella N16 Writers & Readers. She is a frequent contributor to Slightly Foxed.
Sound Archive by Nerys Williams uses formal strategies to conjure a complex music, intriguing narratives, and poems full of atmosphere that query identity, gender, and the dream of art as a vehicle for emotion and meaning. Williams confronts our preconceptions about what it might mean to be a woman writing against the background of two formidable traditions: that of Welsh-speaking Wales and of English literature. A thoughtful, subtle and fascinating collection.
Lucy Swann is trying on a new life. She’s cut and dyed her hair and bought new clothes, but only gets as far as a small town in northern France when her flight is violently cut short. When Inspector Vivier and his assistant Sabine Pelat begin their investigation the chance encounters of her last days take on a new significance. Lucy’s death, like a stone thrown into a pool, sends out far-reaching ripples, altering the lives of people who never knew her as well as those of her loved ones back home.
Easter 1955 and Britain waits for a hanging. Dieter Sugar finds a strange boy in the red gardens at crumbling Sugar Hall – a boy unlike any he’s ever seen. As Dieter’s mother, Lilia, scrapes the mould and moths from the walls of the great house, she knows there are pasts that cannot be so easily removed. Sugar Hall has a history, buried, but not forgotten. Based on the stories of the slave boy that surround Littledean Hall in the Forest of Dean, this is a superbly chilling ghost story from Tiffany Murray.
From the nightmarish first story set in the South China Sea in 1946 to the final piece, set nowhere at the end of time, 
In 
First started by Peter Finch with Real Cardiff and now containing over 20 volumes, the Seren Real Series is a collection of psychogeographic guides that take a closer look at beloved towns and cities from all over the UK. Always insightful and full of interesting observations, made personal by each author’s connection to the place, these books discover the essence of what makes our towns and cities tick.
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Join Peter Finch and John Briggs on twenty walks around Cardiff, the bustling capital of Wales. Together they visit the new and the ancient, the difficult, the undiscovered, the lesser-known, the artistic, the entertaining, the quirky and the unexpected. They criss-cross the city, informing, discovering, exploring, and enduring, reviving old routes as they go.Their journeys encompass the city’s history, and record daily life on its streets, in its parks and its famous and not so famous, buildings.
Discovered by the author’s grandson, and written originally in Italian, 
In 
In 2016 television naturalist Iolo Williams brought us the definitive guide to the top nature sites in Wales. Now he returns with a guide to his top 40 sites in the UK. From Hermaness on Shetland to the London Wetland Centre, from Dungeness in Kent to Loch Neagh, Williams criss-crosses the country. Lavishly illustrated, author and book aim to introduce a new audience to the delights of the UK, be they armchair naturalists or, more importantly, visitors to the forty sites Williams has selected.
When Rosanne Alexander’s boyfriend Mike was offered the job of warden of Skomer Island, they had just ten days to leave college, marry (a condition of employment) and gather their belongings and provisions for the trip to the island. With great sensitivity, and humour, Rosanne Alexander relates their experiences, including her observations of the island’s wildlife and landscape. With her lyrical evocation of the natural world and its enthusiastic and resourceful approach to the problems of island life, 
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Peter Finch follows the trail of twentieth century popular music from a 1950s valve radio playing in a suburban Cardiff terrace to the reality of the music among the bars of Ireland, the skyscrapers of New York, the plains of Tennessee, the flatlands of Mississippi and the mountains of North Carolina. 
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Sculptor, painter, letter cutter, stained glass artist, novelist, academic and administrator; Jonah Jones (1919-2004) was a twentieth century renaissance man. His son Peter looks back on his life, from growing up in a mining family in Newcastle, through his experiences in a non-combatant role in the Medical Corps during the Second World War, to the people and places that fired his passion to become an artist. 
Photographer John Briggs continues his project to document change in the Cardiff docklands, revisiting the sites and people memorably recorded in Before the Deluge. In the last thirty years landmark buildings have been demolished, docks filled in, the barrage built, maritime businesses closed, and streets disappeared. In their place, a huge redevelopment scheme, gentrification, and tourism. With characteristic honesty and an eye for compelling detail, John Briggs brings these changes to a wider audience in this not to be missed book.
We’re incredibly pleased to hear that Maria Donovan has been long-listed for the Hall & Woodhouse DLF Local Writing Prize for her book The Chicken Soup Murder. It’s a huge achievement considering this year the DLF received over 70 entries, and we’re all crossing our fingers for the next round!
