Friday Poem – ‘Beware Welsh Learners’ by Katherine Stansfield

This week’s Friday Poem is ‘Beware Welsh Learners’ by Katherine Stansfield from her collection We Could Be Anywhere By Now.

This cover shows a painting of a woman looking out at an abstract landscape.

In her second collection, We Could Be Anywhere by Now, Katherine Stansfield brings us poems about placement and displacement full of both wry comedy and uneasy tension. Stints in Wales, Italy and Canada, plus return trips to her native Cornwall all spark poems delighting in the off-key, the overheard, the comedy and pathos of everyday life.

‘multi-layered and full of surprising transitions’ – Patrick McGuiness

Beware Welsh learners
Welsh learners are self-obsessed.
Everything is I with them.
Welsh learners are amnesiacs.
They forget the past in the classroom’s constant present.
They can’t commit to the future.
Welsh learners are liars.
They claim they work as civil servants, as teachers.
They say they work for Swalec.
They have exams in these falsehoods.
Welsh learners are cunning.
They ask how you are but they don’t really care.
They only want you for your vowels.
Welsh learners make poor friends.
They invite you for coffee and when you confide
you’ve been fired, that your wife left you and the doctors
think it’s cancer, all they do is smile, nod and say
bore da, and then, bore da bore da, again.

We Could Be Anywhere By Now is available on the Seren website: £9.99

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Friday Poem – ‘One Way’ by Katherine Stansfield

This week’s Friday Poem is ‘One Way’ by Katherine Stansfield from her collection We Could Be Anywhere By Now.

In her second collection, We Could Be Anywhere by Now, Katherine Stansfield brings us poems about placement and displacement full of both wry comedy and uneasy tension. Stints in Wales, Italy and Canada, plus return trips to her native Cornwall all spark poems delighting in the off-key, the overheard, the comedy and pathos of everyday life.

‘multi-layered and full of surprising transitions’ – Patrick McGuiness

We Could Be Anywhere By Now is available on the Seren website: £9.99

Create your free Seren account and enjoy 20% off every book you buy from us.

Friday Poem – ‘Soundings, Newtown’ by Katherine Stansfield

This week’s Friday Poem is ‘Soundings, Newtown’ by Katherine Stansfield from her new collection We Could Be Anywhere By Now

In her second collection, We Could Be Anywhere by Now, Katherine Stansfield brings us poems about placement and displacement full of both wry comedy and uneasy tension. Stints in Wales, Italy and Canada, plus return trips to her native Cornwall all spark poems delighting in the off-key, the overheard, the comedy and pathos of everyday life.

‘multi-layered and full of surprising transitions’ – Patrick McGuiness

We Could Be Anywhere By Now is available on the Seren website: £9.99

Create your free Seren account and enjoy 20% off every book you buy from us.

Watch Katherine reading her poem ‘The suitcases’ on our Youtube channel

Friday Poem – ‘Iaith / llaeth’ by Katherine Stansfield

This week’s Friday Poem is ‘Iaith / llaeth’ by Katherine Stansfield from her new collection We Could Be Anywhere By Now.

In her second collection, We Could Be Anywhere by Now, Katherine Stansfield brings us poems about placement and displacement full of both wry comedy and uneasy tension. Stints in Wales, Italy and Canada, plus return trips to her native Cornwall all spark poems delighting in the off-key, the overheard, the comedy and pathos of everyday life.

‘multi-layered and full of surprising transitions’ – Patrick McGuiness

We Could Be Anywhere By Now is available on the Seren website: £9.99

You can now watch videos of Katherine reading from hew new collection on our Youtube channel! Here she is reading her poem ‘FOG’. 

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Happy International Women’s Day 2020!

Over the year’s we’ve been fortunate enough to work with a long list of fantastic female authors, all of whom bring something unique to the Seren list. There are too many to mention each by name in a single post, and so for International Women’s Day 2020 we’re shining a light on some of the women writers we are publishing in the first half of this year. Keep an eye out for their books coming your way soon.

Katherine Stansfield
We Could Be Anywhere By Now, March 2020

Katherine Stansfield grew up in Cornwall and now lives in Cardiff. Her poems have appeared in The North, Magma, Poetry Wales, The Interpreter’s House, And Other Poems, Butcher’s Dog, and as ‘Poem of the Week’ in The Guardian. Katherine’s debut collection Playing House (2014), a pamphlet All That Was Wood (2019), and her second full-length collection We Could Be Anywhere By Now (March 2020), are all published by Seren. She is also a novelist, with five novels published to date. Her latest titles are The Mermaid’s Call (third in her historical crime series set in Cornwall in the 1840s) and Widow’s Welcome (a political fantasy novel co-written with her partner and published under the name DK Fields). Katherine is the recipient of a Writer’s Bursary from Literature Wales. She teaches for the Open University and is a Royal Literary Fund Fellow.

Cath Drake
The Shaking City, March 2020

Cath Drake lives in London and has been published in anthologies and literary magazines in the UK, Australia and US. Sleeping with Rivers won the Mslexia Women’s Poetry Pamphlet Competition in 2013 and was a Poetry Book Society Choice. She has been short-listed for the Manchester Poetry Prize, and was second in the 2017 Resurgence Poetry School Eco-poetry Prize (now called Ginkgo) and highly commended in the same prize in 2019. Her work has included campaigning, copywriting and storytelling for good causes, environmental writing and award-winning journalism.The Shaking City, forthcoming from Seren at the end of March 2020, is her first full collection.

Sarah Wimbush
Bloodlines, March 2020

Sarah Wimbush comes from Doncaster and currently lives in Leeds. After winning the Yorkshire Post Short Story Competition in 2011 she began writing poetry. Her poems are rooted in Yorkshire with tales of childhood, colliery villages, and Gypsies and Travellers, and they have appeared in a variety of magazines including; the North, The Rialto, The Interpreter’s House, Stand and Strix. She won first prize in the Red Shed Poetry Competition 2016, and second prize in the Ledbury Poetry Competition 2019 where the judge, Daljit Nagra, described her poem as ‘linguistically charged’. A winner of both the Mslexia Poetry Competition (2016) and the Mslexia Poetry Pamphlet Competition (2019), she received a New Writing North – New Poets Award in 2019. Her debut pamphlet Bloodlines (Seren, March 2020) is the winner of the Mslexia/PBS Women’s Poetry Pamphlet Competition 2019.

Sarah Philpott
The Seasonal Vegan, April 2020

Sarah Philpott is a freelance copywriter and proofreader for a variety of organisations, and a fluent Welsh speaker who has appeared on S4C and ITV Wales to talk about vegan cooking. She is a regular guest on Radio Cymru, has written for Wales Online and writes restaurant reviews for the Wriggle app and website. She has a recipe column in Cardiff Now magazine and was featured in an article about vegetarianism in the Sunday Telegraph magazine, Stella. Sarah also has a vegan food blog, Vegging It. Her first vegan cookery book, The Occasional Vegan was published in 2018 and her second The Seasonal Vegan is forthcoming from Seren this April.

Kate Noakes
Real Hay-on-Wye, May 2020

Kate Noakes is a poet whose seventh and most recent collection, The Filthy Quiet, was published by Parthian in 2019 and was reviewed by the Poetry Book Society. Her work has been widely published in magazines in the UK, Europe and beyond. She was elected to the Welsh Academy in 2011. She lives in London where she acts as a trustee for writer development organisation Spread the Word. She reviews poetry for Poetry London, Poetry Wales, The North and cultural website London Grip. She can be found reading from her work all over the country, notably most recently at the 2019 Aldeburgh Poetry Festival. Kate has degrees from Reading University and the University of South Wales. She teaches creative writing workshops in London and beyond and offers one to one poetry coaching. Real Hay-on-Wye (May 2020) is her first non-fiction title.

Katrina Naomi
Wild Persistence, June 2020

Katrina Naomi has published four pamphlets of poetry, including the Japan-themed Typhoon Etiquette (Verve Poetry Press, 2019). Her collection The Way the Crocodile Taught Me, (Seren, 2016) was chosen by Foyles’ Bookshop as one of its #FoylesFive for poetry.  Katrina was the first writer-in-residence at the Brontë Parsonage Museum in W Yorks, and since then has been poet-in-residence at the Arnolfini, Gladstone’s Library and the Leach Pottery. Her poetry has appeared on Radio 4’s Front Row and Poetry Please, BBC TV’s Spotlight and on Poems on the Underground. In 2017 she was highly commended in the Forward Prizes. She has a PhD in creative writing (Goldsmiths) and tutors for Arvon, Ty Newydd and the Poetry School. She received an Authors’ Foundation award from the Society of Authors for her new collection, Wild Persistence (June).

Rhian Edwards
The Estate Agent’s Daughter, June 2020

Rhian Edwards is a multi-award winning Welsh poet, renowned for bridging the gap between page and stage poetry. Her first collection Clueless Dogs (Seren) won the Wales Book of the Year 2013, winning the hat-trick of prizes. It was also shortlisted for the Forward Prize for Best First Collection 2012.  Rhian also won the John Tripp Award for Spoken Poetry, winning both the Judges and Audience award. Rhian’s pamphlet Parade the Fib (Tall Lighthouse) was awarded the Poetry Book Society Pamphlet Choice for autumn 2008. Rhian’s poems have appeared in The Guardian, TLS, Poetry Review, New Statesman, Spectator, Poetry London, Poetry Wales, Arete, the London Magazine, Stand and Planet. Her second collection The Estate Agent’s Daughter is forthcoming from Seren in June.

Sue Gee
Just You and the Page: Twelve Writers and their Art, June 2020

Sue Gee is a novelist and short story writer. She has published eleven novels, including The Hours of the Night (1995), winner of the Romantic Novel of the Year award, The Mysteries of Glass (2005), long-listed that year for the Orange Prize, and Reading in Bed (2007) a Daily Mail Book Club selection. Her most recent novel is Trio (2016). She ran the MA in Creative Writing at Middlesex University from 2000-2008 and was awarded a Royal Literary Fund Fellowship at the University of London Graduate School in 2008. Since 2010 she has taught at the Faber Academy, and worked as a mentor for the Write to Life group at Freedom from Torture. With the novelist Charles Palliser she has for some twenty years run monthly author events at Stoke Newington Bookshop, under the umbrella N16 Writers & Readers. She is a frequent contributor to Slightly Foxed.

Jayne Joso
Japan Stories, June 2020

Jayne Joso is a writer and artist who has lived and worked in Japan, China, Kenya and the UK. Now living in London, she is the author of four novels, including My Falling Down House (2016) and From Seven to the Sea (2019). Her journalism has been published in various Japanese architectural magazines and in the UK’s Architecture Today magazine. She has also ghost written on Japanese architects for the German publisher, Prestel Art. She is the recipient of the Great Britain Sasakawa Foundation Award, given to artists whose work interprets Japan to other cultures and was longlisted for the Rathbones Folio Award 2017. Her forthcoming short story collection Japan Stories (Seren, June 2020) reveals Japanese life in city and countryside through a variety of characters notable for their shared humanity.

 

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Friday Poem – ‘Telling the bees’, Katherine Stansfield

Friday Poem Telling the Bees Katherine Stansfield

This week our Friday Poem is a new work by Katherine Stansfield, ‘Telling the bees’.

‘Telling the bees’ is a touching memorial to Christian Brown OBE, co-founder of the Seren Cornerstone Poetry Festival. The poem weaves together memories with the imagery of a garden in which ‘everything has bloomed’: a legacy of colour and life, conjured by Christian even after his passing.

Christian was the driving force behind the first Seren Cornerstone Poetry Festival in 2018 and as we approach 2019’s festival we are reminded of his extraordinary energy and vision. Cornerstone’s Poet in Residence, Katherine Stansfield will be opening the festival alongside Kim Moore and Emily Blewitt in the Opening Buffet event: tickets available now. All That Was Wood, a pamphlet of poems written during Katherine’s residency, will be published to coincide with the festival.

 

Katherine Stansfield Telling the bees

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

All That Was Wood will be available in February 2019 from our website, and at the Seren Cornerstone Poetry Festival (8-10 February 2019).

 

 

Friday Poem – ‘How to make a good crisp sandwich’, Katherine Stansfield

Friday Poem How to make a good crisp sandwich

Did you know it’s British Sandwich Week, 20-26 May? Yes – there really is a day (or week) for everything. And in celebration, our Friday Poem is Katherine Stansfield’s ‘How to make a good crisp sandwich’.

playing house katherine stansfieldThis is a poem that really does what it says on the tin: ‘crisps don’t work alone’, the poet warns, then proceeds to carefully list the potential permutations of this most British of sandwiches. ‘Who does this sandwich want to be?’ You may not have asked yourself this question before – so grab the bread, open a pack of crisps, and ponder.
Katherine Stansfield’s poetic debut, Playing House is marked by a concise wit, a distinct voice and an unsettling view of the domestic.
‘Striking imagery, strange leaps of thought, wit and menace aside, the unmistakeable thrill of Katherine Stansfield’s poetry is in the voice. It addresses the world directly, takes it personally, and comes at the reader from constantly unexpected angles, a tangible, physical thing.’ Philip Gross

 

Friday Poem Katherine Stansfield How to make a good crisp sandwich

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Playing House is available from the Seren website: £9.99

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Friday Poem – ‘Relic’, Katherine Stansfield

Friday Poem Relic Katherine Stansfield

To mark the 50th anniversary of the release of Sgt. Pepper’s Lonely Hearts Club Band on June 1st 1967, our Friday Poem this week is taken from Newspaper Taxis: Poems After The Beatles.

Newspaper Taxis collects together poems that showcase the vast and varied influence The Beatles had on the way we lived then and the way we live now. With contributions by myriad of poets, young and old, including Simon Armitage, Carol Ann Duffy, Elaine Feinstein, Peter Finch, Adrian Henri, Philip Larkin, Lachlan Mackinnon, Roger McGough, Sheenagh Pugh, Jeremy Reed, Carol Rumens and Katherine Stansfield (featured here), this book is a response to the Beatles’ creativity and capacity to influence successive generations.
‘Relic’ by Katherine Stansfield imagines what the buyer of one of John Lennon’s teeth, auctioned in November 2011, might do with it. The poem blends together the whimsical and the macabre – ‘After fifty years it looks / like forgotten popcorn’. With humour, and wistfulness, the poet brings back the ‘long dead croon’ to play again in all our ears.

 

Friday Poem Katherine Stansfield Relic

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Newspaper Taxis is available from our website: £9.99

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Friday Poem – ‘Cream teas, Sunday’, Katherine Stansfield

Friday Poem Katherine Stansfield Cream tea, Sunday

This week our Friday Poem is Katherine Stansfield’s ‘Cream teas, Sunday’, from Playing House.

playing house katherine stansfield‘Cream teas, Sunday’ is a sickly-sweet vision of chaos in the pursuit of a cream tea. ‘Stampedes’ of customers interrupt the calm sophistication of a tea room, laying waste to the food and finery with not so much as a 50p tip on the way out.
Playing House is full of delightfully witty poems such as this, which present an unsettling view of the domestic; the author’s eye is satirical yet sympathetic, the voice distinctive.
‘Striking imagery, strange leaps of thought, wit and menace aside, the unmistakeable thrill of Katherine Stansfield’s poetry is in the voice. It addresses the world directly, takes it personally, and comes at the reader from constantly unexpected angles, a tangible, physical thing.’ Philip Gross

 

Cream teas, Sunday

The four o’clock rush stampedes in at three
to besiege us, heathens sweating scones
for Sunday’s sore visitor gods. Raging and raw
we keep out cats, flies, the customers
still crash right through with sugar in their eyes.
Quick – lay your hands on the cream
to banish mould and I’ll speak in tongues
of jam. Hell opens to burn the slovenly
and pour forth fruitcake and smoke.
I weep into my apron.There’s no change
or tips.Tea cosies drown in Lapsang floods,
exhausted pots shatter and teaspoons bolt,
menus make for the door and coffee jars
revolt.You spread the charm like soft butter
on a split and I’ll give sticky grace on not quite
clean plates.Will that appease them?
Our fake accents turn with the milk
come six. Prayers pass in a kettle’s pant,
returning to water and air: tomorrow
please rain, please rain, please rain.

 

Playing House is available from the Seren website: £9.99
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Friday Poem – The woman on my National Library of Wales library card

playing house katherine stansfield

This week our Friday Poem is ‘The woman on my National Library of Wales library card’ by Katherine Stansfield, which won the 2014 PENfro poetry competition. The poem is taken from Katherine’s humorous and distinctive debut collection, Playing House.

playing house katherine stansfieldA concise wit and an unsettling view of the domestic characterise these poems whose subjects are the ordinary as viewed through the author’s satirical yet sympathetic eye. John Lennon’s tooth, an imaginary ‘Canada’, bees in Rhode Island, cats and office politics are all peculiar grist to this author’s mill. She presents both historical subjects such as Captain Scott of the Antarctic, and common objects, such as household bleach, from a skewed perspective, adding humour, drama and a quietly distinctive pathos.

 

The woman on my National Library of Wales library card

Her mouth says it all –
slack as a jellyfish. They made her

stand against the wall
with no time to pose or comb

the seagulls from her hair,
no time to dig her smile

from pockets of sand.
the Sea fret foaming at her hems

thickened once inside the dusty air
that seeps from books. See, she’s ghosting

under the card’s laminated skin. Almost
gone. She fogged the enquiry desk too.

The attendant lost his hands
in the mist, hence the wonky

shot. She’s looking at a horizon
beyond the frame. I can’t meet

her salt-stiff eye which asks
for silence from the waves

as if such a gift could be given.
She doesn’t get out much now for fear

of mackerel following her home
and wheezing to death in the road,

of mullet in the bath again.
Her doorstep is crunchy with limpets.

Can I take her something back?
She likes romance, set far inland.

 

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